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Nicola Ruben Montini

Oristano, 1986
(..) all images are already acknoweledged as being of equal value, this would seemingly deprive the artist of the possibility to break taboos, provoke, shock, or extend boundaries of the acceptable. (..) Why can't we just choose for ourselves what we wish to acknowledge or appreciate as art without looking to an intermediary, without patronizing advice from curators and art critics? DOES ART HOLD ANY POWER OF ITS OWN, OR IT IS ONLY ABLE TO DECORATE EXTERNAL POWERS - WHETHER THESE ARE POWERS OF OPPRESSION OR LIBERATION?

2009-2010 MA Fine Art, Central Saint Martins College of Art and Design, UAL, London, Uk 2007-2008 Exchange program at Manchester Metropolitan University, Manchester, Uk 2005-2008 BA - Accademia di Belle Arti, Painting degree, Venice, IT

2010 - 9 Jul Certosa, at Act Art 8 Censored, The islington metal workshop, London, performance, curated by Oliver Frost 2010 - 15 May Jo MONUMENTO, at Galleria UPP, Venice, IT, performance 2010 - 28 Jan/ 3 Feb Necessary Illusion, at The Bargehouse, London, UK, performance, Curated by MA Curatorial Practice, Chelsea College of Art & Design, London 2009 - 12 Nov Frocio, at Galleria Contemporaneo, Mestre - Venezia, IT, performance, Curated by Prof. Riccardo Caldura 2008 - 13 Dec Tip-Tap, at The Why Gallery, London UK, performance, Curated by Ada Yu 2008 - 12 Sep Eva-cquazione, at Castello Di Rivoli, Contemporary Art Museum, Rivoli - Turin, IT, performance, Curated by Dobrila Denegri and Biljana Tomich 2008 - 27 and 28 Aug Let me be your butterfly, at The House of Legacy e MKM, Belgrado, Serbia, performance, Curated by Dobrila Denegri and Biljana Tomic 2008 - 23 Jun Made in China (part 1), at Galleria A+A, Venezia IT, performance 2008 - 8 to 13 Jan The 4th of September was white, presso The Link Gallery, Manchester (UK), video installation, Curated by Jon Biddulph 2007 - 27 Nov The 4th of September was white, at Centro Culturale il Boldù, Venice, IT, performance 2007 - 27 Mar The Awakening, at Galleria A+A, Venice, IT, happening

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